Tuesday, September 15, 2015

Chapter 16 Study Guide

The Renaissance in Quattrocento Italy

Early Italian Renaissance
  • Ghiberti, Sacrifice of Isaac, 1401-1402
  • Donatello, David, c. 1440-1460
  • Masaccio, Holy Trinity (from Santa Maria Novella), c. 1424-1427
  • Ghirlandaio, Birth of the Virgin, c. 1485-1490
  • Uccello, Battle of San Romano, c. 1435 or c. 1455
  • Botticelli, Primavera, c. 1482
  • Perugino, Christ Delivering the Keys of the Kingdom to Saint Peter, 1481-1483
  • Mantegna, Foreshortened Christ (Lamentation over the Dead Christ), c. 1500

Short Answer

  1. Renaissance Florence saw itself as the inheritor of which ancient civilization?
  2. Which biblical personage did Renaissance Florence associate itself with? Which mythological figure did it associate itself with?
  3. Why is the Medici family important to the development of the Renaissance?
  4. Explain what perspective is and name the two kinds of perspective discussed in class.
  5. What is contrapposto? Give an example of a Quattrocento sculpture that exhibits the use of contrapposto.
  6. Which classical tradition did Donatello revive in his portrait of ‘Gattamelata’?
  7. How does Uccello demonstrate clear linear perspective in his seemingly chaotic Battle of San Romano?
  8. In what way did Alberti differentiate the three stories of the Palazzo Rucellai that makes each story look progressively lighter? Which classical building served as his inspiration for this?
  9. Who was Girolamo Savonarola? What were his beliefs regarding the Medici and humanism and what effect did his beliefs have on Florence in the 1490s?

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